A Doctor’s Journey: From Ambition to Conflict

Vinay Govind’s latest film follows Arjun Balakrishnan (Unni Mukundan), a highly ambitious gynecologist making a name in fertility treatments. Raised in a household dominated by women, his personal and professional journey is deeply intertwined. But despite an intriguing premise, the film spends too much time establishing his career highs and lows before getting to its real conflict. By the time the actual emotional stakes arise, the audience has already navigated multiple subplots, making the story feel overstretched.

Too Many Themes, Too Little Depth

Get-Set Baby attempts to juggle various themes—medical ethics, societal pressures on conception, and the fragility of male ego—without truly committing to any. Like an overworked doctor managing too many patients, the screenplay struggles to do justice to its subjects, leading to a narrative that feels shallow and unfocused.

Unni Mukundan’s performance, while earnest, lacks the depth needed for the emotional gravitas the role demands. His dialogue delivery falters in crucial scenes, weakening key moments. Nikhila Vimal, playing his wife Swathy, remains largely functional, occasionally bordering on over-the-top. However, the supporting cast—including Surabhi Lakshmi and Sudheesh as a desperate couple seeking Arjun’s help—deliver some of the film’s most poignant moments. Ganga Meera, as a well-meaning nurse, adds warmth, though her abrupt exit from the story feels more like a plot convenience than meaningful storytelling.

A Comedy That Comes in Fleeting Doses

The film does sprinkle in moments of humor, particularly a temple visit sequence where Arjun and Swathy engage in rituals for conception. These moments provide a satirical touch but are too sporadic to elevate the film beyond its predictable storytelling. Fortunately, Get-Set Baby avoids excessive crude jokes, keeping the humor subtle and situational.

An Opportunity for Nuance, Wasted in Melodrama

When the film reaches its true crux—Arjun’s deeply personal struggle that shakes his confidence—it has the potential for compelling drama. However, rather than embracing introspection, Get-Set Baby veers into melodrama. His descent into arrogance and self-destruction feels rushed, and his redemption arc is more of a checklist item than a well-earned transformation.

Visual Appeal but Lacks Emotional Punch

Cinematographically, the film looks polished, employing warm tones and soft lighting that make it visually appealing. However, the background score fails to add the necessary emotional weight. More notably, Get-Set Baby seems heavily influenced by films like Doctor G, Vicky Donor, Dasharatham, and Mimi, all of which tackled similar themes with more nuance and originality.

A Half-Baked Effort

Ultimately, Get-Set Baby aims high but settles for mediocrity. While it offers moments of charm and tenderness, it lacks the depth to leave a lasting impact. The film had all the ingredients for a compelling narrative but needed another round of creative refinement before delivery.

Rating: ⭐⭐☆☆☆ (2/5