Patriarchy often operates in the shadows of seemingly normal traditions, and “Mrs.” exposes this with a sharp, unsettling gaze. Directed by Arati Kadav, this film revisits themes of oppression, domestic drudgery, and systemic misogyny in a way that’s more accessible than its Malayalam predecessor, The Great Indian Kitchen. While the latter suffocated viewers with its raw intensity, Mrs. takes a slightly toned-down but equally effective approach in its critique of gender roles.
A New Take on an Old Story
Arati Kadav introduces a key shift in the protagonist’s life: Richa’s husband (Nishant Dahiya) is no longer a teacher but a gynecologist. One might think this would make him more empathetic, but that’s where the film makes a poignant statement—understanding biology doesn’t mean understanding a woman’s emotional and psychological needs. Raised in a household where casual patriarchy is the norm, he perpetuates the same dismissive behavior towards Richa (Sanya Malhotra), reinforcing the film’s central theme: patriarchy isn’t just about cruelty; it’s about the small, everyday actions that chip away at a woman’s sense of self.
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The Strength of Nuanced Storytelling
The film’s brilliance lies in its ability to show oppression through seemingly ordinary situations. In one instance, Richa’s husband initially loves the aroma of the kitchen on her, calling it “the best smell in the world.” But soon enough, that same scent becomes a turn-off. This subtle shift speaks volumes about the hypocrisy and entitlement ingrained in men raised in patriarchal households. Similarly, Kanwaljit Singh, who plays the father-in-law, masterfully portrays a man who appears polite yet exerts control over the household in a way that leaves women with little agency.
Another layer of Mrs. is its examination of how women themselves become enforcers of patriarchal norms. Richa’s mother-in-law, aunt, and even her own mother fail to support her. Their advice? Adjust, endure, and apologize for standing up for herself. A particularly poignant moment is when Richa’s mother cannot comprehend why she left her “home” for “itni si baat” (such a small thing). This scene highlights how deep-rooted societal conditioning is, making it harder for women to break free from generational cycles of oppression.
Sanya Malhotra’s Performance: A Masterclass in Subtlety
Sanya Malhotra delivers an emotionally resonant performance, carrying the weight of the film effortlessly. She transitions from a hopeful bride to a woman worn down by systemic sexism with such nuance that every moment feels painfully real. From the moment she steps into her new home—greeted by a deceptively warm “You are now our daughter”—the audience senses the slow erosion of her spirit. Her despair is not loud or exaggerated, making it all the more heartbreaking.
Final Verdict: A Must-Watch with a Powerful Message
For those who have seen The Great Indian Kitchen, Mrs. may feel more accessible, but it doesn’t lose its impact. It’s a compelling social commentary that lays bare the everyday injustices women endure. While it might not be as viscerally disturbing as its Malayalam counterpart, it delivers its message effectively, thanks to Arati Kadav’s direction and Sanya Malhotra’s gripping performance.
Mrs. is a must-watch for anyone who appreciates films that challenge societal norms while remaining engaging and relatable. Now streaming on Zee5.
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